Microphone
The first stage of your transmitted signal. Cheap to improve, hard to fake.
Closed-back phones and a boom microphone, for long sessions without fatigue.
| Type | Closed-back dynamic headphones with boom microphone |
|---|---|
| Impedance | 32-600 ohm; higher impedance suits valve outputs |
| Frequency response | Headphones 20-20000 Hz; microphone shaped for speech |
| Microphone | Electret condenser, needs bias voltage on most radios |
| Connectors | Separate 1/4 inch and mic plugs, or a combined adapter |
| Comfort | Weight and clamping force matter more than specification |
| Boom | Flexible or adjustable, positioned to the side of the mouth |
A communications headset combines headphones and a microphone on one frame. It keeps both hands free for logging and tuning, which matters in a contest or a long CW session, and it puts the microphone at a constant distance from your mouth so your audio level stays consistent.
Closed-back earcups attenuate room noise, which helps you copy weak signals in a noisy environment and lets you monitor your own sending without raising the volume. For CW work the headphones matter more than the microphone — you will spend far longer listening than talking.
Listening levels matter. Long sessions at high volume cause permanent hearing damage, and CW sidetone at high level is a common cause. Set the level at the start of a session and leave it alone.